Dislocated Screen Memory
Narrating Trauma in Post-Yugoslav Cinema
By Dijana Jelaca
"Dislocated Screen Memory" is published by Palgrave Macmillan in Nov 10, 2015 - Houndmills New York, it has 275 pages and the language of the book is English.
“Dislocated Screen Memory” Metadata:
- Title: Dislocated Screen Memory
- Author: Dijana Jelaca
- Language: English
- Number of Pages: 275
- Publisher: Palgrave Macmillan
- Publish Date: Nov 10, 2015
- Publish Location: Houndmills New York
“Dislocated Screen Memory” Subjects and Themes:
- Subjects: ➤ Motion pictures, social aspects - Former yugoslav republics - Psychic trauma in motion pictures - Motion pictures - SOCIAL SCIENCE / Gender Studies - Memory in motion pictures - SOCIAL SCIENCE / Ethnic Studies / General - PERFORMING ARTS / Film & Video / History & Criticism - Social aspects
Edition Specifications:
- Format: hardcover
Edition Identifiers:
- The Open Library ID: OL28016186M - OL20717651W
- Online Computer Library Center (OCLC) ID: 932382697
- Library of Congress Control Number (LCCN): 2015019822
- ISBN-13: 9781137515773
- ISBN-10: 1137515775
- All ISBNs: 1137515775 - 9781137515773
AI-generated Review of “Dislocated Screen Memory”:
"Dislocated Screen Memory" Description:
The Open Library:
"The links between cinema and war machines have long been established. At the same time, cinema represents an often overlooked, yet crucial channel of tackling the difficult themes of post-traumatic memory. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. It examines how film plays a part in coming to terms with the traumatic effects that wars have on communities, by ways of forming an archive of publically circulated, mass-mediated cultural memories"--
Open Data:
"The links between cinema and war machines have long been established. At the same time, cinema represents an often overlooked, yet crucial channel of tackling the difficult themes of post-traumatic memory. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. It examines how film plays a part in coming to terms with the traumatic effects that wars have on communities, by ways of forming an archive of publically circulated, mass-mediated cultural memories"
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