Deleuze and the Map-Image - Info and Reading Options
Aesthetics, Information, Code, and Digital Art
By Jakub Zdebik

"Deleuze and the Map-Image" was published by Bloomsbury Publishing Plc in 2019 - New York, it has 214 pages and the language of the book is English.
“Deleuze and the Map-Image” Metadata:
- Title: Deleuze and the Map-Image
- Author: Jakub Zdebik
- Language: English
- Number of Pages: 214
- Publisher: Bloomsbury Publishing Plc
- Publish Date: 2019
- Publish Location: New York
“Deleuze and the Map-Image” Subjects and Themes:
- Subjects: ➤ Deleuze, gilles, 1925-1995 - Cartography - Aesthetics - Computer art - Geographic information systems - Technological innovations - Technique - Systèmes d'information géographique - Cartographie - Innovations - REFERENCE - Atlases & Gazetteers - TRAVEL - Maps & Road Atlases - Cartography in art - Art and philosophy - Deleuze, Gilles
Edition Specifications:
- Weight: 0.477
- Pagination: 224
Edition Identifiers:
- The Open Library ID: OL37302697M - OL25785339W
- Online Computer Library Center (OCLC) ID: 1090435503
- ISBN-13: 9781501346781
- All ISBNs: 9781501346781
AI-generated Review of “Deleuze and the Map-Image”:
"Deleuze and the Map-Image" Description:
Open Data:
The map, as it appears in Gilles Deleuze's writings, is a concept guiding the exploration of new territories, no matter how abstract. With the advent of new media and digital technologies, contemporary artists have imagined a panoply of new spaces that put Deleuze's concept to the test. Deleuze's concept of the map bridges the gap between the analog and the digital, information and representation, virtual and actual, canvas and screen and is therefore best suited for the contemporary artistic landscape. Deleuze and the Map-Image explores cartography from philosophical and aesthetic perspectives and argues that the concept of the map is a critical touchstone for contemporary multidisciplinary art. This book is an overview of Deleuze's cartographic thought read through the theories of Sloterdijk, Heidegger, and Virilio and the art criticism of Laura U. Marks, Carolyn L. Kane, and Alexander Galloway, shaping it into a critical tool through which to view the works of cutting edge artists such as Janice Kerbel and Hajra Waheed, who work with digital and analog art. After all, Deleuze did write that a map can be conceived as a work of art, and so herein art is critiqued through cartographic strategies. --
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