Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian - Info and Reading Options
Tacitus, Cassius Dio, and Suetonius on Nero and Domitian
By Verena Schulz
"Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian" was published by BRILL in 2019 - Leiden (Pays-Bas) and the language of the book is English.
“Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian” Metadata:
- Title: ➤ Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian
- Author: Verena Schulz
- Language: English
- Publisher: BRILL
- Publish Date: 2019
- Publish Location: Leiden (Pays-Bas)
“Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian” Subjects and Themes:
- Subjects: Historiography - Charakterisierung - Geschichtsschreibung
Edition Specifications:
- Weight: 0.788
- Pagination: XII, 410
Edition Identifiers:
- The Open Library ID: OL38047892M - OL27839986W
- Online Computer Library Center (OCLC) ID: 1096222033
- Library of Congress Control Number (LCCN): 2019016574
- ISBN-13: 9789004407213
- All ISBNs: 9789004407213
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"Deconstructing Imperial Representation : Tacitus, Cassius Dio, and Suetonius on Nero and Domitian" Description:
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What literary strategies do Tacitus, Cassius Dio, and Suetonius apply in portraying Nero and Domitian? This book argues that the three authors respond to and deconstruct the positive accounts of imperial representation that were prevalent during the lifetimes of the two controversial emperors. They take up motifs from these earlier accounts, which they re-interpret to construct their own negative portraits.0Although Tacitus, Cassius Dio, and Suetonius discuss the same historical figures and events of early imperial Rome, they are rarely examined together in one volume. Verena Schulz offers the first combined reading of their works from a philological viewpoint, analysing the various rhetorical techniques and narratological devices that they display, and the different literary and historical discourses in which they are embedded
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