Cultures of Violence
Visual Arts and Political Violence
By Ruth Kinna and Gillian Whiteley
"Cultures of Violence" is published by Taylor & Francis Group in 2020, it has 152 pages and the language of the book is English.
“Cultures of Violence” Metadata:
- Title: Cultures of Violence
- Authors: Ruth KinnaGillian Whiteley
- Language: English
- Number of Pages: 152
- Publisher: Taylor & Francis Group
- Publish Date: 2020
“Cultures of Violence” Subjects and Themes:
- Subjects: Art - Political aspects - Art and social action - Political violence
Edition Identifiers:
- The Open Library ID: OL28077106M - OL20752994W
- Online Computer Library Center (OCLC) ID: 1137745618
- Library of Congress Control Number (LCCN): 2020003109
- ISBN-13: 9780429863455
- All ISBNs: 9780429863455
AI-generated Review of “Cultures of Violence”:
"Cultures of Violence" Description:
The Open Library:
"Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means. It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and/or are constrained by them? They discuss violence in the everyday and at state level: the Watts' Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio"--
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