Creating Flannery O'Connor - Info and Reading Options
her critics, her publishers, her readers
By Daniel Moran
"Creating Flannery O'Connor" was published by University of Georgia Press in 2016 - gau, it has 253 pages and the language of the book is English.
“Creating Flannery O'Connor” Metadata:
- Title: Creating Flannery O'Connor
- Author: Daniel Moran
- Language: English
- Number of Pages: 253
- Publisher: University of Georgia Press
- Publish Date: 2016
- Publish Location: gau
“Creating Flannery O'Connor” Subjects and Themes:
- Subjects: ➤ Literature publishing - Authors and readers - Religion - Authors and publishers - Criticism and interpretation - History - Relations with publishers
- People: Flannery O'Connor
- Places: United States
- Time: 20th century
Edition Specifications:
- Pagination: viii, 253 pages
Edition Identifiers:
- The Open Library ID: OL27222935M - OL20042903W
- Online Computer Library Center (OCLC) ID: 933863458
- Library of Congress Control Number (LCCN): 2015043074
- ISBN-13: 9780820349541
- ISBN-10: 0820349542
- All ISBNs: 0820349542 - 9780820349541
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"Creating Flannery O'Connor" Table Of Contents:
- 1- Introduction
- 2- The two receptions of Wise blood
- 3- The discovery of O'Connor's catholicism
- 4- O'Connor's posthumous reputation
- 5- Robert Giroux, Sally Fitzgerald, and The habit of being
- 6- Adaptation and reputation
- 7- O'Connor and the common (online) reader
- 8- Conclusion.
"Creating Flannery O'Connor" Description:
The Open Library:
Flannery O?Connor may now be acknowledged as the ?Great American Catholic Author,? but this was not always the case. With Creating Flannery O?Connor, Daniel Moran explains how O?Connor attained that status, and how she felt about it, by examining the development of her literary reputation from the perspectives of critics, publishers, agents, adapters for other media, and contemporary readers. Moran tells the story of O?Connor?s evolving career and the shaping of her literary identity. Drawing from the Farrar, Straus & Giroux archives at the New York Public Library and O?Connor?s private correspondence, he also concentrates on the ways in which Robert Giroux worked tirelessly to promote O?Connor and change her image from that of a southern oddity to an American author exploring universal themes. Moran traces the critical reception in print of each of O?Connor?s works, finding parallels between her original reviewers and today?s readers. He examines the ways in which O?Connor?s work was adapted for the stage and screen and how these adaptations fostered her reputation as an artist.
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