Conrad, language, and narrative - Info and Reading Options
By Michael Greaney

“Conrad, language, and narrative” Metadata:
- Title: ➤ Conrad, language, and narrative
- Author: Michael Greaney
“Conrad, language, and narrative” Subjects and Themes:
- Subjects: ➤ Fiction - History - Language - Narration (Rhetoric) - Technique - Conrad, joseph, 1857-1924 - Fiction, technique - Langue - Roman - Narration - LITERARY CRITICISM - European - English, Irish, Scottish, Welsh - Language and languages - Sprache - Vertelkunst - Literaire taal - Criticism and interpretation
- People: Joseph Conrad (1857-1924)
- Time: 20th century
Edition Identifiers:
- The Open Library ID: OL6212213W
AI-generated Review of “Conrad, language, and narrative”:
"Conrad, language, and narrative" Description:
The Open Library:
"In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket.
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