Collecting Prints, Posters, and Ephemera - Info and Reading Options
Perspectives in a Global World
By Ruth E. Iskin, Kathryn Brown and Britany Salsbury
"Collecting Prints, Posters, and Ephemera" was published by Bloomsbury Publishing Plc in 2019, it has 304 pages and the language of the book is English.
“Collecting Prints, Posters, and Ephemera” Metadata:
- Title: ➤ Collecting Prints, Posters, and Ephemera
- Authors: Ruth E. IskinKathryn BrownBritany Salsbury
- Language: English
- Number of Pages: 304
- Publisher: Bloomsbury Publishing Plc
- Publish Date: 2019
“Collecting Prints, Posters, and Ephemera” Subjects and Themes:
- Subjects: ➤ Prints - Posters - Printed ephemera - Art and society - Collectors and collecting - History - History of art / art & design styles - Druckgrafik - Plakat - Sammeln
Edition Specifications:
- Weight: 0.795
- Pagination: 304
Edition Identifiers:
- The Open Library ID: OL34663183M - OL25754933W
- Online Computer Library Center (OCLC) ID: 1107062160 - 1107840956
- Library of Congress Control Number (LCCN): 2019026324
- ISBN-13: 9781501338496
- All ISBNs: 9781501338496
AI-generated Review of “Collecting Prints, Posters, and Ephemera”:
"Collecting Prints, Posters, and Ephemera" Description:
The Open Library:
"Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world"--
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