Dictionary of film terms - Info and Reading Options

The Open Library:

Clay animation is a living art form. It can be seen in television series such as "Gumby," in commercials with dancing raisins, interspersed in music videos and in films, both shorts and features. The dimensionality and movement of the clay characters - as they talk, dance, sing, and run - have a distinctive quality that sets it apart from other forms of animation. Yet clay animation, which made its American debut in 1908, has always been marginalized by the dominance of cel animation (the cartoon form that made Bugs Bunny so popular). Michael Frierson explains in Clay Animation the reasons behind this neglect and gives the reader not just the history of American clay animation, but also the technique, the masters, and a look at its future . Frierson begins with the basics, describing the process and aesthetic impact of clay animation. Frierson explains the interaction between camera, lighting, and set design, and how these aspects of the medium compare with other forms of animation. In so doing, the reader gains a solid introduction to new technologies. Helpful summaries, shot lists, a glossary and over 50 illustrations are provided to keep the reader in step with the discussion throughout. With the basics firmly detailed, Frierson goes on to deftly describe the unique contributions of each clay animator. Beginning with the "founders" from the silent era, notably Willie Hopkins and Helena Smith Dayton, Clay Animation gives a complete historical and creative account of clay animation's main contributors, including Art Clokey, the creator of Gumby, and Bob Gardiner and Will Vinton, winners of an Academy Award for their clay film Closed Mondays (1974). Frierson analyzes the evolution of clay techniques, imagery, and narratives as well as the film and television landscape that gave birth to these films. Readers will find an informative and insightful description of clay animations from the cutting edge, by such artists as Joan Gratz, Bruce Bickford, and David Daniels . Michael Frierson ends Clay Animation with a discussion by those active in the world of clay animation today - an independent clay animator, a commercial producer, the winner of the 1993 Academy Award for Best Animation, and others - on the future of the medium. In many ways, they echo each other, speaking of the impact of computer animatics, their concern that clay animation might become a marginal form, but also their strong belief that no other animation medium can match the artistic expressiveness of clay. Student, film buff, and animator alike will find in Michael Frierson's Clay Animation a direct link to the world of clay

Search for “Dictionary of film terms” downloads:

Visit our Downloads Search page to see if downloads are available.

Borrow "Dictionary of film terms" Online:

Check on the availability of online borrowing. Please note that online borrowing has copyright-based limitations and that the quality of ebooks may vary.

• Is Online Borrowing Available: Yes
• Preview Status: borrow
• Check if available: The Open Library & The Internet Archive

Find “Dictionary of film terms” in Libraries Near You:

Read or borrow “Dictionary of film terms” from your local library.

• The WorldCat Libraries Catalog: Find a copy of “Dictionary of film terms” at a library near you.