Cesare Zavattini's Neo-Realism and the Afterlife of an Idea - Info and Reading Options
An Intellectual Biography
By David Brancaleone
"Cesare Zavattini's Neo-Realism and the Afterlife of an Idea" was published by Bloomsbury Publishing Plc in 2021, it has 368 pages and the language of the book is English.
“Cesare Zavattini's Neo-Realism and the Afterlife of an Idea” Metadata:
- Title: ➤ Cesare Zavattini's Neo-Realism and the Afterlife of an Idea
- Author: David Brancaleone
- Language: English
- Number of Pages: 368
- Publisher: Bloomsbury Publishing Plc
- Publish Date: 2021
“Cesare Zavattini's Neo-Realism and the Afterlife of an Idea” Subjects and Themes:
- Subjects: ➤ Romance literature - Screenwriters - Biography - Italian Authors - Motion pictures - Philosophy - Scénaristes - Biographies - Écrivains italiens - Biography: arts & entertainment
Edition Specifications:
- Weight: 0.898
- Pagination: 464
Edition Identifiers:
- The Open Library ID: OL34756768M - OL25789742W
- Online Computer Library Center (OCLC) ID: 1238131520 - 1238133215
- Library of Congress Control Number (LCCN): 2020055272
- ISBN-13: 9781501316975
- All ISBNs: 9781501316975
AI-generated Review of “Cesare Zavattini's Neo-Realism and the Afterlife of an Idea”:
"Cesare Zavattini's Neo-Realism and the Afterlife of an Idea" Description:
The Open Library:
"Almost no English scholarship addresses Cesare Zavattini, the screenwriter of some of the best known films in the history of world cinema?-including Sciusciáa , Miracle in Milan , and Bicycle Thieves ?-and the scholarship that does presents only the narrowest of views on the multi-dimensional Zavattini. In Cesare Zavattini's Neo-realism and the Afterlife of an Idea , David Brancaleone instead presents a vital portrait of the screenwriter for the first time, exploring his history as an active Neo-realist organizer, Modernist writer, political protestor, and celebrated filmmaker in the light of unprecedented access to archival material. Through a multidisciplinary lens that examines Zavattini's cultural politics, interventions into press, television, and journalism, experimental filmmaking, and personal history, Brancaleone reconstructs the extent of Zavattini's contribution to cinema and culture."--
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