Byron, poetics, and history - Info and Reading Options
By Jane Stabler

"Byron, poetics, and history" was published by Cambridge University Press in 2002 - Cambridge, U.K, it has 251 pages and the language of the book is English.
“Byron, poetics, and history” Metadata:
- Title: Byron, poetics, and history
- Author: Jane Stabler
- Language: English
- Number of Pages: 251
- Publisher: Cambridge University Press
- Publish Date: 2002
- Publish Location: Cambridge, U.K
“Byron, poetics, and history” Subjects and Themes:
- Subjects: ➤ Don Juan (Legendary character) in literature - English Historical poetry - History - History and criticism - Knowledge - Literature and history - Byron, george gordon byron, baron, 1788-1824 - English poetry, history and criticism - Characters and characteristics in literature - Knowledge and learning - In literature
- People: ➤ George Gordon Byron Byron Baron (1788-1824)
- Places: Great Britain
- Time: 19th century
Edition Specifications:
- Pagination: xiii, 251 p. ;
Edition Identifiers:
- The Open Library ID: OL3559634M - OL5956842W
- Online Computer Library Center (OCLC) ID: 49225696
- Library of Congress Control Number (LCCN): 2002022286
- ISBN-10: 0521812410
- All ISBNs: 0521812410
AI-generated Review of “Byron, poetics, and history”:
"Byron, poetics, and history" Description:
The Open Library:
"Jane Stabler offers the first full-scale examination of Byron's poetic form in relation to the historical debates of his time. Responding to recent studies of publishing and audiences in the Romantic period, Stabler argues that Byron's poetics developed in response to contemporary cultural history and his reception by the English reading public. Drawing on extensive new archive research into Byron's correspondence and reading, Stabler traces the complexity of the intertextual dialogues that run through his work. For example, Stabler analyses Don Juan alongside Galignani's Messenger - Byron's principal source of news about British politics while in Italy - and refers to hitherto unpublished letters between Byron's publishers and his friends revealing a powerful impulse among his contemporaries to direct his controversial poetic style to their own political ends. This study will be of interest to Byronists and, more broadly, to scholars of Romanticism in general."--Jacket.
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