Beyond the Easel - Info and Reading Options
Decorative Paintings by Bonnard, Vuillard, Denis, and Roussel, 1890-1930
By Gloria Lynn; Watkins, Nicholas; Art Institute of Chicago; Paoletti, Jennifer; Barruel, Therese; Metropolitan Museum of Art (New York, N.Y.) Groom

"Beyond the Easel" was published by Art Institute of Chicago in 2001 and it has 289 pages.
“Beyond the Easel” Metadata:
- Title: Beyond the Easel
- Author: ➤ Gloria Lynn; Watkins, Nicholas; Art Institute of Chicago; Paoletti, Jennifer; Barruel, Therese; Metropolitan Museum of Art (New York, N.Y.) Groom
- Number of Pages: 289
- Publisher: Art Institute of Chicago
- Publish Date: 2001
“Beyond the Easel” Subjects and Themes:
- Subjects: ➤ Symbolism in art - Decoration and ornament - Exhibitions - History - Expositions - Decoration et ornement - Les Nabis - Histoire - Nabis (Groupe d'artistes) - Versieringskunst - Schilderkunst - Peinture francʹaise - Decoration and ornament, france - Art, modern, 20th century, exhibitions - French Painting - Artists and patrons
Edition Specifications:
- Format: Paperback
Edition Identifiers:
- The Open Library ID: OL8317777M - OL8671915W
- Online Computer Library Center (OCLC) ID: 45058996
- Library of Congress Control Number (LCCN): 00043970
- ISBN-13: 9780865591899
- ISBN-10: 086559189X
- All ISBNs: 086559189X - 9780865591899
AI-generated Review of “Beyond the Easel”:
"Beyond the Easel" Description:
The Open Library:
"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication.". "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.
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