Benton, Pollock, and the politics of modernism - Info and Reading Options
from regionalism to abstract expressionism
By Erika Lee Doss
"Benton, Pollock, and the politics of modernism" was published by University of Chicago Press in 1991 - Chicago, it has 445 pages and the language of the book is English.
“Benton, Pollock, and the politics of modernism” Metadata:
- Title: ➤ Benton, Pollock, and the politics of modernism
- Author: Erika Lee Doss
- Language: English
- Number of Pages: 445
- Publisher: University of Chicago Press
- Publish Date: 1991
- Publish Location: Chicago
“Benton, Pollock, and the politics of modernism” Subjects and Themes:
- Subjects: ➤ Abstract expressionism - Criticism and interpretation - Political aspects of Modernism (Art) - Regionalism in art - Modernism (Art) - Political aspects - History - Benton, thomas hart, 1889-1975 - Pollock, jackson, 1912-1956
- People: Jackson Pollock (1912-1956) - Thomas Hart Benton (1889-1975)
- Places: United States
- Time: 20th century
Edition Specifications:
- Pagination: xvi, 445 p. :
Edition Identifiers:
- The Open Library ID: OL1539964M - OL1932682W
- Online Computer Library Center (OCLC) ID: 23731972
- Library of Congress Control Number (LCCN): 91018541
- ISBN-10: 0226159426
- All ISBNs: 0226159426
AI-generated Review of “Benton, Pollock, and the politics of modernism”:
"Benton, Pollock, and the politics of modernism" Description:
The Open Library:
"In this acclaimed revisionist study, Doss chronicles a historic cultural change in American art from the dominance of regionalism in the 1930s to abstract expressionism in the 1940s. She centers her study on Thomas Hart Benton and Jackson Pollock, Benton's foremost student in the early thirties, charting Pollock's early imitation of Benton's style before his radical move to abstraction. By situating painting within the evolving sociopolitical and cultural context of the Depression and the Cold War, Doss explains the reasons for this change and casts light on its significance for contemporary culture."--Jacket.
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