Aesthetic Use of the Logical Functions in Kant's Third Critique - Info and Reading Options
By Stephanie Adair
"Aesthetic Use of the Logical Functions in Kant's Third Critique" was published by de Gruyter GmbH, Walter in 2018 - Berlin Boston (Mass.), it has 299 pages and the language of the book is English.
“Aesthetic Use of the Logical Functions in Kant's Third Critique” Metadata:
- Title: ➤ Aesthetic Use of the Logical Functions in Kant's Third Critique
- Author: Stephanie Adair
- Language: English
- Number of Pages: 299
- Publisher: de Gruyter GmbH, Walter
- Publish Date: 2018
- Publish Location: Berlin Boston (Mass.)
“Aesthetic Use of the Logical Functions in Kant's Third Critique” Subjects and Themes:
- Subjects: ➤ Aesthetics - Knowledge, theory of - Philosophy, modern - Judgment (Aesthetics) - Judgment (Logic) - Kritik der Urteilskraft (Kant, Immanuel)
Edition Specifications:
- Pagination: 312
Edition Identifiers:
- The Open Library ID: OL36744307M - OL21696288W
- Online Computer Library Center (OCLC) ID: 1042901081
- ISBN-13: 9783110576078
- All ISBNs: 9783110576078
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"Aesthetic Use of the Logical Functions in Kant's Third Critique" Description:
Open Data:
In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first Critique. In this book, I defend an understanding of Kant's theory of Geschmacksurteil as detailing an operation of the faculties that does not violate the cognitive structure laid out in the first Critique. My orientation is primarily epistemological, elaborating the determinations that govern the activity of pure aesthetic judging that specify it as a "bestimmte" type of judgment without transforming it into "ein bestimmendes Urteil". I focus on identifying how the logical functions from the table of judgments operate in the pure aesthetic judgment of taste to reveal "the moments to which this power of judgment attends in its reflection" (CPJ, 5:203). In the course of doing so, a picture emerges of how the world is not just cognizable in a Kantian framework but also charged with human feeling, acquiring the inexhaustible, inchoate meaningfulness that incites "much thinking" (CPJ, 5:315). The universal communicability of aesthetic pleasure serves as the foundation that grounds robust intersubjective relations, enabling genuine connection to others through a shared a priori feeling
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