Acting From Shakespeare's First Folio - Info and Reading Options
Theory, Text, and Performance
By Don Weingust
"Acting From Shakespeare's First Folio" is published by Routledge in April 10, 2007, it has 226 pages and the language of the book is English.
“Acting From Shakespeare's First Folio” Metadata:
- Title: ➤ Acting From Shakespeare's First Folio
- Author: Don Weingust
- Language: English
- Number of Pages: 226
- Publisher: Routledge
- Publish Date: April 10, 2007
“Acting From Shakespeare's First Folio” Subjects and Themes:
- Subjects: ➤ Stage history - Bibliography - Criticism and interpretation - Methodology - Dramatic production - Folios. 1623 - Textual Criticism - History - Shakespeare, william, 1564-1616, bibliography - Shakespeare, william, 1564-1616, criticism, textual - Shakespeare, william, 1564-1616, criticism and interpretation, history - Shakespeare, william, 1564-1616, dramatic production - Shakespeare, william, 1564-1616, stage history - PERFORMING ARTS - Theater - History & Criticism - Bühnenbearbeitung - Aufführungspraxis
Edition Identifiers:
- The Open Library ID: OL7498409M - OL8105795W
- Online Computer Library Center (OCLC) ID: 77569904 - 67239770
- Library of Congress Control Number (LCCN): 2006011129
- ISBN-13: 9780415979160
- ISBN-10: 0415979161
- All ISBNs: 0415979161 - 9780415979160
AI-generated Review of “Acting From Shakespeare's First Folio”:
"Acting From Shakespeare's First Folio" Description:
The Open Library:
"Acting from Shakespeare's First Folio examines a series of techniques for reading and performing Shakespeare's plays that are based on the texts of the first 'complete' volume of Shakespeare's works: the First Folio of 1623." "Do extra syllables in a line suggest how it might be played? Can Folio commas reveal character? Don Weingust places this work on Folio performance possibility within current understandings about Shakespearean text, describing ways in which these challenging theories about acting often align quite nicely with the work of the theories' critics." "As part of this study, Weingust looks at the work of Patrick Tucker and his London-based Original Shakespeare Company, who have sought to discover the opportunities in using First Folio texts, acting techniques, and what they consider to be original Shakespearean performance methodologies. Weingust argues that their experimental performances at the Globe on Bankside have revealed enhanced possibilities not only for performing Shakespeare, but for theatrical practice in general."--BOOK JACKET.
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