Absalom, Absalom! - Info and Reading Options
By William Faulkner

"Absalom, Absalom!" was published by Southern Living Gallery in 1985 - [Birmingham, Ala.], it has 384 pages and the language of the book is English.
“Absalom, Absalom!” Metadata:
- Title: Absalom, Absalom!
- Author: William Faulkner
- Language: English
- Number of Pages: 384
- Publisher: Southern Living Gallery
- Publish Date: 1985
- Publish Location: [Birmingham, Ala.]
- Dewey Decimal Classification: 813/.52
- Library of Congress Classification: PS3511.A86 A65 1985
“Absalom, Absalom!” Subjects and Themes:
- Subjects: ➤ Fiction - Plantation life - Sutpen family (Fictitious characters) - Facsimiles - Textual Criticism - American Manuscripts - Sutpen family (Fictitious character) - American Historical fiction - American fiction - Manuscripts - Yaknapatawpha County (Imaginary place) - Long Now Manual for Civilization - Sutpen family (Fictitious characters) -- Fiction - Plantation life -- Fiction - Mississippi -- Fiction - American fiction (fictional works by one author) - Mississippi, fiction - Yoknapatawpha county (imaginary place), fiction - Fiction, historical - Fiction, family life - Sutpen family (fictitious characters), fiction - Large type books - Fiction, historical, general - Life Style - Fictional works
- People: William Faulkner (1897-1962)
- Places: Mississippi
- Time: 20th century
Edition Specifications:
- Pagination: ➤ 384 p., [1] folded leaf of plates :
Edition Identifiers:
- The Open Library ID: OL2870569M - OL82928W
- Library of Congress Control Number (LCCN): 84051323
AI-generated Review of “Absalom, Absalom!”:
Snippets and Summary:
From a little after two oclock until almost sundown of the long still hot weary dead September afternoon they sat in what Miss Coldfield still called the office because her father had called it that -- a dim hot airless room with the blinds all closed and fastened for forty-three summers because when she was a girl someone had believed that light and moving air carried heat and that dark was always cooler, and which (as the sun shone fuller and fuller on that side of the house) became latticed with yellow slashes full of dust motes which Quentin thought of as being flecks of the dead old dried paint itself blown inward from the scaling blinds as wind might have blown them.
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