Absalom, Absalom!
By William Faulkner

"Absalom, Absalom!" was published by Vintage Books in 1972 - New York, it has 378 pages and the language of the book is English.
“Absalom, Absalom!” Metadata:
- Title: Absalom, Absalom!
- Author: William Faulkner
- Language: English
- Number of Pages: 378
- Publisher: Vintage Books
- Publish Date: 1972
- Publish Location: New York
“Absalom, Absalom!” Subjects and Themes:
- Subjects: ➤ Fiction - Plantation life - Sutpen family (Fictitious characters) - Facsimiles - Textual Criticism - American Manuscripts - Sutpen family (Fictitious character) - American Historical fiction - American fiction - Manuscripts - Yaknapatawpha County (Imaginary place) - Long Now Manual for Civilization - Sutpen family (Fictitious characters) -- Fiction - Plantation life -- Fiction - Mississippi -- Fiction - American fiction (fictional works by one author) - Mississippi, fiction - Yoknapatawpha county (imaginary place), fiction - Fiction, historical - Fiction, family life - Sutpen family (fictitious characters), fiction - Large type books - Fiction, historical, general
- People: William Faulkner (1897-1962)
- Places: Mississippi
- Time: 20th century
Edition Specifications:
- Pagination: 378 p.
Edition Identifiers:
- The Open Library ID: OL5282256M - OL82928W
- Online Computer Library Center (OCLC) ID: 1440074
- Library of Congress Control Number (LCCN): 72000398
- ISBN-10: 0394717805
- All ISBNs: 0394717805
AI-generated Review of “Absalom, Absalom!”:
Snippets and Summary:
From a little after two oclock until almost sundown of the long still hot weary dead September afternoon they sat in what Miss Coldfield still called the office because her father had called it that -- a dim hot airless room with the blinds all closed and fastened for forty-three summers because when she was a girl someone had believed that light and moving air carried heat and that dark was always cooler, and which (as the sun shone fuller and fuller on that side of the house) became latticed with yellow slashes full of dust motes which Quentin thought of as being flecks of the dead old dried paint itself blown inward from the scaling blinds as wind might have blown them.
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