The Unwomanly Face of War

The Open Library:

For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.

Open Data:

"Bringing together dozens of voices in her distinctive style, War's Unwomanly Face is Svetlana Alexievich's collection of stories of women's experiences in World War II, both on the front lines, on the home front, and in occupied territories. This is a new, distinct version of the war we're so familiar with. Alexievich gives voice to women whose stories are lost in the official narratives, creating a powerful alternative history from the personal and private stories of individuals. Collectively, these women's voices provide a kaleidoscopic portrait of the human side of the war. When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize in Literature, they praised her "polyphonic writings, a monument to suffering and courage in our time," and cited her for inventing "a new kind of literary genre." Sara Danius, the permanent secretary of the Swedish Academy, added that her work comprises "a history of emotions -- a history of the soul."--Provided by publisher

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